Building For Babylon: When King Mob Went to Work

1 March 2025

Our (B.P.C.s) WiseBooks Series continues to gain traction, with an excellent review by Lawton Browning just off the press in Fifth Estate magazine (radical publishing since 1965), of Dave and Stuart Wise’s King Mob: the Negation and Transcendence of Art.

We now announce the fifth in WiseBook Series: Building For Babylon: Construction, Collectives and Craic.

Ironically, the Wise Twins, Dave and Stuart – both talented young artists – developed an anti-art ethos while at art school in Newcastle-upon-Tyne in the mid-1960s, under the influence of the Surrealists and the Situationists. When prospects for social revolution faded in the 1970s, the Wises – being artisans as well as former-artists – dug out their tools and formed a building workers collective. Inspired somewhat by Robert Tressell’s classic novel, The Ragged Trousered Philanthropists, the Wises offer various irreverent ‘true life’ accounts of life on the ‘buildings’ 100 years later. They also reflect on how what passes for modern Art lives on in the phantasmagoric, commodified world of the construction industry and its rackets.

EXTRACT FROM BUILDING FOR BABYLON

Convinced by 1967 that a revolution was imminent – a belief underscored by the thunderclap that burst over an unprepared world in France 1968 – we had handed our power tools, planes, chisels, saws, metal and wood files, etc, over to a local auctioneer to sell. But come 1973-4 we started once more to build up an inventory of tools.  What in the meantime had happened? It was not just that the revolution had failed – it had – but bit by bit the old class polarities were beginning to reassert themselves. Without exception all of us from lower down the social scale felt profoundly betrayed by our erstwhile, much better off, comrades-in-arms of only two/three years back. From the new the old reborn: with social democratic consensus beginning to unravel right at the heart of the revolutionary movement itself. Without so much as the batting of an eye, a perfidious public school elite was now rapidly reverting to type. Back in the early 1970s the first building jobs came as a blessed relief, for it was a pleasure to get away from the internecine “revolutionary” bickering over nothing. The groupuscule phenomena that marked the decade was essentially a sign the revolutionary impulse was on the wane.  Building sites were also a healthy corrective to this decadent revolutionism. Working alongside simpatico comrades on building sites provided a more grounded space on which even revolutionary thoughts could flower. Many is the time we returned home tired but high from the day’s debates. For building sites were beginning to turn into forums where everything was up for discussion.

Paperback

(Also available as EBook)

 

Other titles  in the BPC WiseBooks Series published in 2024-25 as paperback and ebook

A Newcastle Dunciad 1966-2008: Recollections of a Musical and Artistic Avant Garde plus Bryan Ferry and the Newcastle Arts Scene (WiseEbooks Sries No. 4))  – 24 Sept. 2024.

In 1966, King Mob founders Stuart and David Wise were students at Newcastle School of Art, publishing the avant garde magazine Icteric. A Newcastle Dunciad, the latest in the WisEbook Series, recalls the ideas and practices of the Tyneside radicals and how they were ‘recuperated” by the developers for the post-industrial ‘regeneration’ of Tyneside. This volume also has a Situationist critique of their art school contemporary, Bryan Ferry.

King Mob: The Negation and Transcendence of Art: Malevich, Schwitters, Hirst, Banksy, Mayakovsky, Situationists, Tatlin, Fluxus, Black Mask (WiseEbooks Series No. 3– 21 May 2024

Twin brothers David and Stuart Wise, as art students in mid-1960s Newcastle, immersed themselves the radical ideas of Icteric (‘the often confusedly anti-art magazine’). The Wises participated in the saving and restoration of Kurt Schwitters’ Lakeland Merz Barn, and organised a controversial commemoration of the Russian Futurist, Kazimir Malevich. The documents in this book, written over a 50-year period, describe these and subsequent efforts by the Wises to subvert the ‘recuperation’ of ‘art’ into the capitalist culture industry.
In reflection on their engagements with like-minded radicals – the English and French Situationists, New York’s Black Mask collective, the London-based King Mob, and more recent formations – the authors consider how and why the Revolution ‘due to unforeseen circumstances’ did not take place. They also analyze the recuperation of radical aesthetic ideas in the works of latter-day chancers like Damian Hurst and Banksy.

Dialectical Butterflies: Ecocide, Extinction Rebellion, Greenwash and Rewilding the Commons – an Illustrated Dérive (WiseEbooks No. 2 – 12 March 2024)

Beautifully illustrated with original colour photos, Dialectical Butterflies is a psychogeographical exercise in butterfly preservation as part of the environmentalist, anti-capitalist struggle against ecocide, The lifelong fascination of David Wise and his late twin, Stuart, with the ecology of butterflies goes back to their involvement in the mid-1960s surrealist-inspired radical arts scene in Newcastle. From their contact with the Situationist International the Wise brothers adopted the concept of ‘recuperation’ which they see exemplified in today’s ‘greenwashing’ PR exercises. Their latter-day rewilding campaign is effectively a post-situationist Longue Dérive through the relatively forsaken terrains of derelict industrial sites and zones of autonomy in northern England; as well as the contested public space of Wormwood Scrubs in London.

BPC Title: King Mob: The Negation and Transcendence of Art (illustrated).

 

Lost Texts Around King Mob by Dave and Stuart Wise with contributions from Ronald Hunt, John Barker, Fred Vermorel, Chris Gray and Phil Meyler (BPC WisEbooks Series No. 1 – Jan. 2024).

King Mob was initially a coming together in London of members of the English section of the Paris-based Situationist InternationaI and like-minded individuals from Newcastle associated with the anti-art magazine, Icteric, and the Black Hand Gang. Following Guy Debord’s expulsion of the English members from the Situationist InternationaI in December 1967, the King Mob Echo was co-founded in April 1968 by former SI member, Chris Gray and ‘friends from the north’, Dave and Stuart Wise.
The material in this collection by King Mob writers and their associates still has a power to provocatively invigorate and open-up new directions of thought and action emanating from a subversive critique of culture. For the most part, these texts have been forgotten and therefore never archived in the libraries of art history and the ‘popsicle academy’ of media/music studies. Indeed, they had to be rescued from what Marx referred to as “the gnawing criticism of the mice”.

For more books published by BPC see HERE

Author: admin

Covering Psychedelic Culture, Situationist Poetics, Radical Politics and Working-Class History

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