Memories of Revolution: King Mob, the Situationists and Beyond

David Wise

Editor’s note: In response to my review of Eric-John Russell’s translation of Jaime Semprún’s book, A Gallery of Recuperation: On the Merits of Slandering Charlatans, Swindlers and Frauds (first published in 1976 as Précis de récupération: illustre de nombreux exemples tires de l’histoire recente) David Wise, co-founder of King Mob, the English radical group of the late 1960s/early ‘70s, which was connected to Guy Debord and the Situationist International., has contributed the following.

FROM LONDON TO LISBON

I enjoyed reading David Black’s Substack comments on Eric-John Russell’s recent translation and re-publication of Jaime Semprún’s Précis de récupération. Decades ago I found myself in agreement with Semprún’s withering dismissal of post-modernism as represented by so-called thinkers like Michel Foucault, Jean-François Lyotard, Andre Glucksmann, Giles Deleuze and Felix Guattari. After ‘liberating’ (meaning going beyond monetization rather than ‘thieving’) a fair amount of these authors’ oeuvre from the UK’s ‘nintellectual’ bookshops, I myself, along with other clued-in mates, had had enough of seeing their books stacked up prominently in front of us. These surface commentators, with their endless watering down of the rejuvenating spirit of the May ’68 revolution in France, were being presented as real cutting edge subversive critique; when in truth, the real McCoys couldn’t get a look in with English language publishers.

Although I welcomed Précis de récupération as a breath of fresh air, I was cautious about Semprún’s attacks on Cornelius Castoriadis and ‘Ratgeb’ (Raoul Vaneigem), both of whom once had  meaningful connections with Guy Debord. Sadly, mention of English speaking recuperation was absent, as basically the UK, in comparison with much of Europe and even the USA, was backward regarding the explosions of the late 1960s – so much so that the majority of ‘thinkers’ here wouldn’t know what the fek you were talking about. Hardly surprising then that our merry band was defined by our hatred of the “right little/tight little island” Little Englander mentality of both right and left wing (although we never realised that these tendencies were going to have such an abominable outcome decades later, what with Brexit and the like).

In retrospect and on a general level,  I think Précis de récupération marked the final moment of Semprún’s hero worship of Debord. After that, Semprún took a different radical path as he morphed into the creator of the very influential ‘group’ cum publisher of Éditions de l’Encyclopédie des Nuisances (‘Nuisances‘ meaning destructive, dangerous substances). On the simplest of levels, Debord and Semprún were very different characters, i.e. Semprún didn’t really fall out with people (at least not in the same way Debord did). I don’t think Guy ever forgave him for walking away, causing Guy to henceforth endlessly obsess about this ‘scally’; finally denouncing him as a ‘mediatique’ in his last ‘book’ Cette Mauvais Reputation. (I remember Michel Prigent – the publisher of Chronos Press and Principia Dialectica in London – not really liking Debord’s final book, although he was somewhat nervous about saying so). Other friends, in France, mainly around Os Cangaceiros, clearly noted that Semprún had been unfairly rubbished as he wasn’t involved with the media and had even gotten rid of films he’d produced and acted in when a youngster.

Around the same time as Précis de récupération was published,Jaime was also involved with radical social struggles erupting in Portugal and then Spain after the death of the fascist dictator General Franco. Practically,  he did so in a somewhat clandestine way, in and around a group – if one can call it that – aptly named Los Incontrolados (The Uncontrollables). 

First though. something of a detour. The end of the ‘glorious’ late 1960s was somewhat marked world-wide by a ‘collapse’ of its protagonists, ourselves included. Dazed and depressed, overcome with a sense of failure, we were floundering, desperate again to reignite our fiery passions, as well as desperately searching for a wide-ranging and nuanced re-think. Some individuals – rapidly or cautiously but slowly – sold-out, while others destroyed themselves with drink and drugs. Also, there were the suicides, which were really hard to bear as it was often the finest individuals who decided to end it all.

Others fled to other countries. Ex-King Mobber, Phil Meyler, was one such person. After a tumultuous, exhilarating time in the late 60s/early 1970s, journeying between London, Ireland and the USA, Phil seemed to abandon everything and, after sometime desolately moping around in east London, he suddenly upped-sticks and disappeared to Portugal where he found casual paid work teaching English as a foreign language. His first letters to me in London from Lisbon were desolate and harrowing… then, then, then on the 25th of April 1974 the ‘Revolution of the Carnations’ broke out and the streets and work places erupted amidst the ferment in and around the final overthrow of Salazar’s/Caetano’s 50 year old fascist dictatorship. Phil’s letters transformed overnight; becoming absolutely fascinating. Moreover, Phil and I had been best mates throughout the late 1960s; reinforced by the fact we were from similar working class backgrounds, had little money and no prospect of inherited wealth coming our way. Now, whoosh, here was a rejuvenated Phil sending me one stunning letter after another about what was going down on the Iberian Peninsula. In response, I just wanted to get this information out there in the English speaking parts of the globe.

In the following months, frequent visits to Portugal became essential; the country having become a hub for all kinds of radical tendencies, with many rebels from different European countries enthusiastically proclaiming Situationist ideas – amongst other persuasions. Described at the time as ‘revolutionary tourism’, (as against the typically banal, often hated, mass consumer tourism) it was a 24/7 fascinating mix of thought, action, love and alcohol. Already there was an emerging tendency beginning to put an emphasis on the need to update Marx’s critique of value, etc, with clued-in individuals saying the Situationists had missed out on this essential factor, thus implicitly raising the question: ‘what steps do we take from here?’. 

The immediate outcome was that Phil put together a book in Portuguese and English entitled, Portugal, The Impossible Revolution. It was a producedby Solidarity (the Castoriadis-inspired off-spring in the UK of Socialisme ou Barbarie). I was able to fund it, as I was earning really good money as a plasterer on building sites, had no family to support and as a squatter I had a rent-free place to live. The book captured the warp and woof of the uprising, that unmistakable, ‘I was there’ dimension, emphasising at times its delightfully crazy essence. Little did we know at the time that Jaime Semprún had also put together a book called La sociale guerre au Portugal, published by Champ Libre in France (the company owned by Debord’s rich friend, Gérard Lebovici (who was murdered in complicated circumstances which I won’t go into here). The book was immediately proclaimed as the finest critique and evaluation of the Portuguese uprising, though to my mind it was touch and go in comparison with Phil’s hands-on unruly passionism, which captured the emotional euphoria of the uprising. As I put down in a notebook at the time:

“I certainly had a memorable New Year in Lisbon in 1976-7. A crowd of us got drunk in a workers’ tasca  which ended up with a conga winding through the adjacent streets. It was nearly dawn before the cavorting ceased and then some of us decided to go to the local zoo for some reason even though we knew it would be closed. We went with some vague notice of liberating wild nature as happened during the Paris Commune of 1871. Climbing the fences into the zoo we were in a mood to fraternise directly with the animals on display and proceeded to do so. Although we couldn’t get into the tigers den we certainly were able to stroke the creatures a little as we could the giraffes, etc. But then it was easy to get into the hippopotamuses enclave. A big hippo with such friendly, benign eyes opened its mouth wide and laughingly the assembled drunks dared “the mad Englishman”(Me) to put his head in the hippo’s mouth. Well I did and everybody gasped. BUT THAT WAS IT,OVER AND OUT. Armed police had been called and they immediately came for us and later, we were banned from ever going again into a Portuguese zoo. But the incident had gotten out and about on the alternative grapevine and years later people were still sending me tiny toy hippos with their mouths open. Evidently – in reality – hippos instantly bite heads off……. but how was I supposed to know that???”

More importantly, the atmosphere in Portugal started overlapping with what was happening in Spain after the death of General Franco and the impending demise of the fascist dictatorship. Shortly after returning to London, Phil sent me through the post a small Spanish pamphlet which had knocked him out. It was named, “Manuscrito encontrado en Vitoria”  (A Manuscript found in Vitoria). Like Phil, I also thought the pamphlet was terrific.Then he ‘found’ another pamphlet and then another- all with different titles and all anonymous!  All we had to go on was the name: Los Incontrolados…. and for the life of us, for what seemed like ages, we simply couldn’t find out the names of the individuals who’d written them. One by one Phil forwarded these pamphlets to me in London and we then decided to translate and publish them. Needless to say our command of the Spanish language wasn’t that good and my twin bro’ Stuart Wise – who did most of the translation – also  wasn’t that much better. There again, there was no one around to help us: educationally we were the old notorious 11-Plus failures, not worthy of ‘proper’ education and hampered by the fact our “English” was truly awol (Phil being from Dublin and us from County Durham and Yorkshire). Who could we to turn to? Comatose academics who hadn’t grasped Lautreamont’s pre-Surrealist maxim: ‘The new tremors are running through the atmosphere and all you need is the courage to face them’? Thus, in consequence the book with all its somewhat gobbledygook translatese, Wildcat Spain Encounters Democracy was kind of stillborn! 

It’s worth saying here that ‘revolutionary anonymity’ in the mid to late 1970s rapidly seemed to acquire quite a profile, or rather, anti-profile. In a way it had become a principled gesture against the horrendous groundswell of stardom and names in lights which was taking off like never before, as post modernism and its academic parade imbibed the accoutrements of pop culture with the gradual eclipse of the revolutionary spirit of 1968. It was all for the sake of money and more money, preparing the way for today’s kleptocratic rule.  For all like us, a name didn’t matter and any pseudonym was just as good as another. It was the hoped-for inspirational content that mattered, mirroring the fact you lived your life in an anti-spectacular, non-touchy/feely way. Thus, that’s how our pamphlets were signed. As for Phil there was another pressing reason; he slightly altered his last name from Meyler to Mailer – a la Norman Mailer the famous contemporary American hipster writer – as the Portuguese state was rapidly becoming hell-bent on getting rid of subversive foreign undesirables.

The town of Vitoria (Victory) in the Spanish Basque country became a brilliant hot spot in the mid-to late 1970s as home to an autonomous worker revolt which was quite astounding in its breadth, hence the nuanced ‘victory’ pun in the subsequent A4 pamphlet by Los Incontrolados. As a consequence, a few years later we discovered that the principal authors of Los Incontrolados were Jaime Semprun and Miguel Amoros. Subsequently, Semprun’s post situationist radical eco-orientation was to have a profound influence on us although contact was kind of ‘in and out ‘and mostly – at a distance. Miguel’s critique of the destructive ultra- commodification of music was contemporaneous with my own pamphlet, The End of Music. Inevitably, Miguel lamented our inadequate Spanish translations. Unbeknown to us, at the same time Miguel Amoros was slowly writing a really fascinating account of their differences with Debord, etc, (much of which has ended up in the web pages of Libcom.org). And finally (for me) I discovered that Jaime was the son of the Spanish/French novelist, Jorge Semprun, whose dissident-communist writings I’d had a lot of respect for in mid 1960s Newcastle. Lo and behold in post- Franco Spain, Jorge, who had been expelled by the underground Spanish Communist Party, had become a literary celebrity, and was set to become Spanish Minister of Culture (!). I was horrified and later gratified to find out that Jaime would have nothing to do with his Dad, having always detested his membership of the Communist Party and no doubt much else besides.

And yes, I’d become nervous of Debord and subsequent “Our Party” Debordism. After our pamphlet on the 1981 riots in the UK, A Summer with a Thousand Julyswas translated into French I was subsequently was invited by Guy Debord to visit him in Champot in the remote French countryside where he was then living. I’d be accompanied by Michel Prigent. But I had to turn the invite down as I knew I’d completely fek-up, especially when I’d hit the booze to calm my nerves. I knew individual sentences in the pamphlet would be picked on and obsessed over (as was the regular pattern) and I didn’t have the character armour to resist  this interrogation thus, ‘[a sadder and a wiser man (David Wise) rose the following morn.’

ECO-ACTIVISM V. GREENWASHING

By the late-1980s, Jaime Semprún’s eco critique was getting really cutting edge the more he acknowledged the profundity of the English language description of that devious con and substitute for authentic eco involvement becoming known as  ‘greenwashing’. Jaime was also one of the first individuals to call out the duplicitous horrors of a double dealing ‘Nature Bureaucracy’, made up of all the species protection societies and the like. Initially we naïvely thought these bodies were on our side when engaging in actions to genuinely increase and enrich biodiversity, only to find out they were some of the nastiest – forever calling the police on our activities. The realisation of such a truth was shattering both for Jaime and ourselves. 

What  followed somewhat later for Jaime and Co was radical eco-action on the Larzac Plateau in south west France in the mid-1990s. This also involved the former-Situationist International member, René Riesel, who had played such a significant part in May ’68 in France. At the time I was also getting a lot of fresh comment from other friends involved, again mainly from Os Cangaceiros. Suffice to mention here one amusing incident. There was some kind of festive eco get together in a small town on the Larzac Plateau and stalls were erected. Stalwarts of Éditions de l’Encyclopédie des Nuisances in souped-up militant attire turned up really ready for action against the brutal French police. First though, they had to put together a stall. Most of the activists couldn’t do it as (it seemed) none of them had ever used a hammer or screwdriver (they were so ‘middle class’, or at least ‘middle class’ in practical disposition). In exasperation, Riesel (who by then had become a neo-peasant farmer) jumped in and assembled a stall made up of wooden planks within minutes. Everybody present had a good laugh….. Nonetheless, Nuisances was quickly to acquire a huge influence especially regarding the future French ZADS (Zones a Defendre). And subsequently we might ask: how could the comradely alliances around Earth Uprising and the Sainte-Soline Battle of the Basins of March 2023 have come about without this ‘distant’ history?

One more comment haphazardly comes to mind. Michel Prigent kind of liked Jaime Semprún, though he said to me he didn’t like the way he ‘supported the Unabomber terrorist’ (Ted Kaczynski) in the mid-west United States. As for myself, I balked at the terrorist name tag. Though I didn’t approve of the haphazard parcel bombs and was leery about innocent casualties, I liked some of the Unabomber’s writings.

Ah, but then, slowly but surely on a more general, historical level, a morphing Situationist perspective was disappearing quite rapidly after say, 2015. What was happening? Miguel Amoros was of the opinion that a dreadful counter-revolution was finally taking place especially in English speaking countries. Yes, it certainly feels like that as today you can’t find traces anywhere of the Situationist experience in what now passes contemporary revolutionary critique. As an interesting aside to all this – even though again utterly out of place – the writings of Alèssi Dell’ Umbria really have edge, even though, as far as I know he, also, never mentions the Situationists. I’ve been told this guy, who is from Marseilles, was a fellow traveller of Os Cangaceiros and has written some really interesting tracts around major social upheavals in France over the last 20 years or so. It’s certainly true that his C’est La Guerre. written in the first few months of 2023 is so far the best account of those exhilarating moments. And there is also an excellent tract on the Gilets Jaunes disturbances in Marseilles in 2019. I was asked by Jack-de-Montreuil if I could translate into English Alessi’s recent major theoretical contribution named Antimatrix. I rapidly found out that It was certainly a dense and very interesting text and by my reckoning a relevant update to The Society of the Spectacle without ever mentioning the latter’s existence… But I wonder if my French and background knowledge are really up to it. Whatever, it would be excellent if say, MIT Press Ltd could publish a selection of Dell’Umbria’s writings in English.   

Sadly, Jaime Semprún died in 2010 of a cerebral haemorrhage, aged 63. His death was untimely, but in truth his writings in later years had become a lot more sombre and it may be that he found the derailing of his radical eco experiments heart breaking. In something of a final missive Jaime said all he could do now was cultivate his own back garden. We indeed felt something of the same, re broken hearts, even though we had no back  – or front – garden to cultivate as we lived in sub-standard social housing. We, on the contrary, had turned our attention to scruffy, gloriously weed-ridden public space with the intention of vastly increasing their inherent bio-diversity. We never asked permission of the powers that be  – usually town councils – because we knew we’d be told to fuck off for not possessing requisite qualifications, etc. Constantly under attack from officialdom and the police we nevertheless over the years produced some remarkable spaces which even moronic bureaucrats had to grudgingly admit was the case.  

This was especially true of our eco intervention between 2010-17 in the Bradford Canal and Shipley’s ‘Industrial Gorge’ in West Yorkshire – an arena which had obsessed John Ruskin in the late 19th century. That encounter, regarding greenwashing, was a brutal eye opener, as the authorities came for us with no holes barred, deploying thuggery and threats of jail regarding our eco interventions. We also sprayed up on various stone walls in the gorge some relatively recent lucid quotes from Miguel Amoros on the subject of greenwashing, only to find them jet sprayed out a few days later by council goons.(In retrospect I think Miguel knew about these slogans and was pleased we had given them prominence). Also our eco interventions over the last few years on Wormwood Scrubs in West London were somewhat simultaneously explained by ourselves through placards, bird boxes and the like hung high up in trees – many around the subject of ‘suicide capitalism’, which was basically an ecological concept elucidated by Jaime Semprun. A few months ago I could have directed you the reader to our website, The Revolt Against Plenty, where photos alongside texts explained the concept. Then kaput: there was nothing except total wipe-out! The brutal redaction of thewebsite in spring 2023 meant all of this history has now been liquidated along with so much else besides and now can only be accessed via The Wayback Machine archives. Why wasn’t a reason given for such brutal action? Why did absolute silence reign? Finally, I came to the conclusion that basically, it’s a sign of the brutal reaction which is today spreading throughout the world. And if you aren’t rich enough to hire a good lawyer the attitude is you can just fuck off as we can do what we like with you; not forgetting that law centres for those surviving at the sharp end disappeared yonks ago. Left in a catastrophic dilemma, just what is there to do about such fiendish acts when reaction is becoming so omnipotent everywhere and all emancipating hope is rapidly dwindling? It’s beyond heart-breaking. 

Dave Wise (together with the inseparable shadow of my twin bro’ Stu’ Wise who is forever and forever by my side).

Manson and Trump: Object Lessons in How to Build a Death Cult

As regards Trump and Manson it would seem that, unfortunately, the American Psyche has room for both of them.

David Black

9 August 2023

The late Charles Manson is back in the news with the controversial parole of his former ‘Family’ member, Lesley Van Houten, who was convicted 53 years ago of murdering on his behalf. A new Netflix true crime series, How to Become a Cult Leader, features Manson in the first episode. Manson is portrayed as a sharp gaolbird, who learned to convince his 100 or so cult followers that he was god-like.

After more than 50 years the curse of Charles Manson maintains its grip.  ‘Edgy’ ironists have his image tattooed on their skin; there is a roaring trade in Manson T-shirts and other merchandise (especially his songs, which have been covered by over 70 recording artists); and an endless output of film and television productions. He has become so much part of the culture that the mythology built around him and his disciples has largely buried whatever ‘truth’ is still ‘out there’. What How to Become a Cult Leader does not explain is how Manson got his gentle hippie followers to become vicious drug-addled murderers. Nor does it examine the role of law enforcement agencies in protecting him from justice and enabling him to commit heinous crimes.

Manson built a cult which deeply impacted American culture. Donald Trump built a larger cult – MAGA- which took over the US government for four years and to this day threatens the very survival of the democratic state (current indictments not withstanding). Experts in authoritarianism and fascism perceive the threat quite clearly. New York University professor Ruth Ben-Ghiat says “I see Trump as a cult leader. So [his followers] are cult followers, personality cult followers.”

In the future, presidential historians and researchers of new media mind-control techniques and state spookery will no doubt unearth many dark secrets about the Trump Years. In the meantime, one might ask: What does Donald Trump have in common with the late Charles Manson? There is certainly a stark contrast between their respective family backgrounds: Trump born rich and privileged; Manson born poor, to an alcoholic mother and an absent father. The similarities, however, are noticeable and many:

  • Toxic family relationships.
  • Delusions of being god-like.
  • Messianic/apocalyptic dogma
  • Pathological narcissism.
  • Inflated sense of entitlement and victimhood.
  • A taste for inflicting harm.
  • Sexual abuse. Rape.
  • Weaponization of racism.
  • Endlessly repeated lies and false promises.
  • Friends and protectors in high places (especially the secret state).
  • An ability to get indoctrinated followers to commit violent crimes –and do time for it, pending future absolution (or presidential pardon in Trump’s case).
  • Careers in the entertainment industry.
  • Determination to fulfil the cult’s ‘mission’ even from a prison cell.
  • Plotting insurrection and civil war.

Charles Manson’s ‘Family’ – A Case Study in Violent Cultism

Four years ago, Tom O’Neill’s book CHAOS: Charles Manson, the CIA and the Secret History of the Sixties tore a few strips off the ‘official version’ propounded in the book Helter Skelter by the corrupt Manson Trial prosecutor, Vincent Bugliosi.

The story begins in March 1967 – around the time Donald Trump was lying to the draft board about his bone spurs. 32-year-old Charles Manson was released from prison on parole after serving 7 years for check forgery. His parole supervisor, Roger Smith, who was researching gang violence and drug use, had the bright idea of sending drug-abuser and gangster Manson to Haight-Ashbury in San Francisco, just as the summer of love was getting underway.

In San Francisco, Manson, the guitar-strumming sugar-daddy, slid into his new career as a cult builder. Many of his recruits were under-age girls, whom he sent out to prostitute themselves, deal drugs and steal. In July 1967, Manson was sentenced to three years probation for obstructing a police officer who arrested a 14-year old girl he had recruited. But this didn’t prevent Smith from filing a report in which he claimed that ‘Mr Manson has made excellent progress’ in becoming a respectable citizen. In fact his whole cult was granted respectability. In O’Neill’s words, ‘The law afforded special privileges to everyone in Manson’s orbits.’

Roger Smith ran an Amphetamine Research Project at the Haight-Ashbury Free Medical Clinic, which had been founded by his namesake, David Smith. The two Smiths jointly wrote a study of the Manson Family for the Journal of Psychedelic Drugs, entitled ‘The Group Marriage Commune’, based on ‘participant-observer’ research at the Family ranch. The Smiths’ research was funded by the National Institute of Mental Health (NIMH), which was later found to have been used by the CIA as a front for the agency’s MK-Ultra ‘mind control’ project.

Dr Jolyon West, later exposed for his role in the CIA’s ‘mind control’ project, was provided with an office at the Haight-Ashbury Clinic to recruit subjects for ‘LSD research’. After West died in 1999, O’Neill found crucial correspondence between West and Sidney Gottlieb, head of MK-Ultra. In a letter dated 11 June 1953, West wrote to Gottlieb outlining proposals for a project to use hypnosis and drugs to extract information from unwilling subjects, to induce amnesia of the interrogation, and alter ‘the subject’s recollection of the information he formerly knew’.

West added that the experiments ‘must eventually be put to test in practical trials in the field’. O’Neill comments ‘All these were the goals of MK-Ultra and they bore a striking resemblance to Manson’s accomplishments with his followers more than a decade later.’ When O’Neill asked psychology professor Alan Scheflin if the Manson murders might have been an MK-Ultra experiment gone wrong, the professor replied, ‘No. An MK-Ultra experiment gone right.’ This was informed speculation, but necessarily so, given that the CIA operational files on MK-Ultra had been destroyed by Gottlieb in 1973.

The Manson Murders

In late 1968, Charles Manson and his ‘Family’ moved to the Spahn ranch, a 55-acre spread in Los Angeles County, California, which had previously been used as a set for filming westerns.

On 1 July 1969 a Black man named Bernard Crowe visited the Spahn ranch to complain about being ripped off by Family member Tex Watson in a marijuana deal. Days later, Manson went to Crowe’s Hollywood apartment, shot him in the stomach and left him for dead. (Unknown to Manson, Crowe survived and would eventually testify against him in court.) Manson told his followers that Crowe was a member of the Black Panther Party (he wasn’t) and that the Beatles White Album song, ‘Helter Skelter’, was a ‘prophecy’ of full-scale race war.

On 25 July, Manson and several accomplices invaded the home of Gary Hinman, a musician associate of Tex Watson. After two days of brutal torture, Manson realised there was no money to be had and ordered Bobby Beausoleil to kill him. Beausoleil stabbed Hinman to death and wrote ‘Political Piggy’ on the wall in blood. Hinman’s body was discovered by friends on 31 July. Beausoleil was arrested on 6 August for theft of Hindman’s station wagon, in which police found the murder weapon. Beausoleil concocted a story that Hinman had been killed by two Black Panther militants.

On the night of 8 August 1969, Manson sent four members of the Family – Susan Atkins, Patricia Krenwinkle, Linda Kasabian and Tex Watson – to the mansion home of Sharon Tate and Roman Polanski on Cielo Drive, Benedict Canyon. On entering the property, Watson shot and stabbed to death 18-year old Steven Parent, who had been visiting the caretaker and was sitting in his car. In the house the gang found Voytek Frykowski, an aspiring Polish filmmaker; Abigail Folger, his girlfriend; Jay Sebring, a hairstylist; and the pregnant Sharon Tate (Polanski was away, making a film in Paris). All four of them were tied up, then knifed to death as they begged for mercy. Susan Atkins soaked a towel in Sharon Tate’s blood and used it to write ‘Pig’ on the wall.

The following night the four killers teamed up with other members of the Family: Clem Grogan, Leslie Van Houten and Charles Manson himself. They piled into a camper van and drove around the suburbs of Los Angeles, looking for another target. Manson entered the home of chain store entrepreneur Leno LaBianca and his wife Rosemary, and tied them up at gunpoint. Manson then returned to the van and ordered Watson, Van Houten and Krenwinkle to go in and stab the couple to death. After killing the couple, Watson carved the word ‘War’ on Leno’s stomach. On the walls, the killers wrote ‘Rise’, ‘Death to pigs’ and ‘Healter [sic] Skelter’ in their victims’ blood.

The LA police were now investigating three killing sprees which had in common the reference to ‘pigs’ written on the walls in blood. But despite the arrest of Beausoleil in connection with Hindman’s murder they chose to ignore the signs that the residents of the Spahn ranch might be involved. This was especially strange as they had been secretly watching comings and goings at the ranch for weeks.

On 16 August – a week after the Cielo Drive murders – the Los Angeles Sheriff’s Office (LASO) mobilised dozens of officers and a SWAT team in a raid on the Spahn ranch. The raid had nothing to do with murders; they were looking for firearms, drugs and stolen property, which they found aplenty. Given that Manson and several of his followers were also in clear violation of their parole terms, they could have all been jailed there and then. But all were released without charges three days later. They were thus free to carry on killing. And they did. On 26 August Hollywood stuntman Donald Shea was killed because Manson thought he had provided the police with information that led to the 16 August raid (his body was eventually discovered in an excavation at the ranch in 1977).

Rock and Roll

Like Trump, Manson was determined to carve out a name for himself in the entertainment industry.

During the four months it took the Los Angeles police to connect Manson with the murders, the media speculated that somehow the hedonists of Hollywood, with their sex-and-drugs lifestyles, had brought disaster onto themselves. Manson was more plugged into Hollywood than anyone cared to admit. The Cielo Drive mansion had previously been occupied by record producer Terry Melcher, who had auditioned Manson in May 1969 for a record deal. Melcher had been introduced to Manson by Dennis Wilson of the Beach Boys. Melcher, Wilson and songwriter Gregg Jacobson – nicknamed the ‘Golden Penetrators’ – were welcoming to the Family, who took over Wilson’s house for the summer, supplying drugs and sexual favours while running up massive bills for food, clothes, car repairs and gonorrhoea treatment. Dennis Wilson told Rave magazine,

‘Sometimes the Wizard frightens me. The Wizard is Charlie Manson, who is a friend of mine, who thinks he is God and the devil. He sings, plays and writes poetry and may be another artist for Brother Records [the Beach Boys’ label].’

Bobby Beausoleil later claimed that Melcher promised to pay Manson $5,000 for his song ‘Cease to Exist’ (which the Beach Boys recorded as ‘Cease to Resist’) but then reneged on the deal. In August 1968 Wilson moved house and Manson moved the Family into the Spahn ranch.

Dennis Wilson and Greg Jakobson knew that Manson had previously shot Bernard Crowe. When O’Neill managed to get an interview with Melcher decades later he was met by evasions, denials, and threats to sue him and his publisher, Premiere magazine.

According to ex-LASO detective Preston Guillory, the police didn’t go after Manson ‘because our department thought he was going to attack the Black Panthers after intelligence had revealed Manson’s shooting of Bernard Crowe. Guillory told O’Neill: ‘I believe there was something bigger Manson was working on. Cause a stir. Blame it on the Panthers . . . Maybe a witting player in someone else’s game.’ Another interviewee, former assistant District Attorney Lewis Watnick, made the ‘educated guess’ that ‘Manson was an informant’.

COINTELPRO

Two of most notorious secret-state campaigns to infiltrate, disrupt and discredit the American Left were the CIA’s CHAOS, an illegal domestic surveillance program, and the FBI’s COINTELPRO. Both of them targeted the Black Panthers. In the summer of 1969, COINTELPRO activities were at their most murderous (such as arranging assassinations of Panthers by cops or by rivals such as the United Slaves Organisation). In August 1967, J Edgar Hoover reanimated COINTELPRO ‘to prevent militant Black Nationalist groups and leaders from gaining respectability’. The Tate-Polanski house on Cielo Drive had become a gathering place for ‘liberal Hollywood’ figures such as Mama Cass, Warren Beatty and Jane Fonda – all of whom were reportedly under FBI surveillance. Abigail Folger, one of the Cielo victims, was an outspoken civil rights activist. Hoover’s memo says,

‘An anonymous letter is being prepared for Bureau approval to be sent to a leader of the PFP [Peace and Freedom Party] in which it is set forth that the BPP [Black Panther Party] has made statements in closed meetings that when armed rebellion comes the whites in the PFP will be lined up against the wall with the rest of the whites.’

As O’Neill points out, ‘Less than a year after this memo was written, Manson’s followers lined up four denizens of liberal Hollywood in Roman Polanski’s home and cut them to pieces, leaving slogans in blood to implicate the Black Panthers.’

Two of a Kind?

In today’s MAGA world, for Black Panthers read Black Lives Matter; for Anti-War movement read ‘Antifa’.

As regards Trump and Manson it would seem that, unfortunately, the American Psyche has room for both of them.

(‘Beyond Bugliosi: the Manson murders revisited’, my full review of CHAOS: Charles Manson, the CIA and the Secret History of the Sixties by Tom O’Neill (with Dan Piepenbring), appeared in Lobster magazine Issue 80 (Winter 2020)

 

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Channel Four: Dumbed Down and Dumbing

Earlier this year, in yet another government U-turn, a plan to privatise Channel Four was quietly dropped. But considering how much the content has been dumbed down since its ‘golden age’, should anyone have cared? No and yes.

A warning from television history

David Black

9 August 2023

Earlier this year, in yet another government U-turn, a plan to privatise Channel Four was quietly dropped. But considering how much the content has been dumbed down since its ‘golden age’, should anyone have cared? No and yes.

Channel 4 was launched in 1982. Its first chief executive was Sir Jeremy Isaacs, a ground-breaking maker of television documentaries, such as the award-winning World at War series. With a strong team of commissioning editors, Isaacs encouraged upcoming talent to produce documentaries, arts programmes, and dramas.  And so they did.

If you could time-travel back 40 years to spend three evenings watching Channel Four from 25-27 July 1983, you could watch the following:

Communes and Windups. Self-sufficiency series visits communes in Wales and Scotland.

The Best of CLR James. Veteran Caribbean Marxist historian affirms the legacy of Marx and Lenin and argues –contrary to the practice of the Soviet Union – socialism means democracy.

A Veiled Revolution. On the regression of the status of women in Egypt under the rise of Political Islamism.

For What it’s Worth. Exposure of consumer rip-offs by Penny Junor and Which? magazine.

Brookside. Scouse, leftish, working class soap opera, which had 9 million viewers at its peak.

Eastern Eye. Asian-oriented magazine programme tackling the controversy over arranged marriages.

Ulster Landscape. Exploration of ruined castles and settlements in Northern Ireland.

Opinions. Jonathan Steinberg, banker turned Cambridge academic on the current economic crisis.

Letters Home. A 90-minute drama about the life, poetry and suicide of Sylvia Plath.

Mozart. Piano concerto number 24 in C minor at the Helmsley Festival.

Bake Off. Munchy hour.

Now compare with the output for 25-27 July 2023:

Sky Coppers. Police PR.

999: On the Frontline. Ditto.

First Dates. Cringe Porn.

George Clarke’s Old House. Renovating your way up the property ladder.

Britain’s Most Expensive Housing. Mansion porn.

The Girl from Plainville. Crime drama mini-series. US import.

Gogglebox. Celebrity couch-potatoes discussing bad TV programmes.

Dog Academy. Therapy/training for dogs and their owners.

Supervet. Tearjerker for animal lovers with ‘cutting edge’ surgeon Noel Fitzpatrick.

Sun, Sea and Selling Houses. Rain-soaked post-Brexit Brits expating to sunny Spain.

Get the picture? In 1983 C4 was a “public service broadcaster”. What is it now?

According to the Daily Mail’s Stephen Glover:

“I’m afraid the rot began with the appointment of Michael Grade as his successor. Jeremy Isaacs is said to have wept when he heard that Lord Grade (as he now is) was to replace him…. Michael Grade plunged Channel 4 downmarket, sanctioning tacky programmes such as The Word magazine show (featuring viewers eating worms or bathing in pig’s urine), Eurotrash (nudity and transvestism) and Dyke TV.”

Glover, in this screed written back in 2011, seemed to see the changes as stemming from moral degeneracy and “pornography” (a present-day Daily Mail hack would no doubt complain about “wokery”). However, Glover also noted, “Only a few months earlier, Isaacs had criticised him [Grade] for his obsession with ratings while he was BBC director of programmes.”  So it was all about driving ratings-determined revenue. It still is; only more so.

Recently, Phil Redmond, creator and producer of Brookside, told the Daily Telegraph (28 October 2022) that in the 1980s,

“What we had then was this British ingenuity, creating something out of nothing … And it was good. It was great for a while. Then telly folk got involved. The ’90s became a time where people just wanted to be ‘in telly’.”

As regards Channel 4’s current bosses, Alex Mahon and Ian Katz, Redmond says, “I think they really don’t understand what Channel 4 is about any more.”

Have they lost sight of the original remit?

“Absolutely. It’s gone completely. I’d characterise it now as a privileged clique, making programmes for a particular audience but actually not contributing enough to the public service debate.”

Also, the ratings are down. Deadline (5 June2023) reports that for May this year Channel 4’s UK reach stood at 35.8M, down 3.5M on May last year; and its UK network audience share was down to 4.48% – the worst four-week period in its 40-year history. This isn’t just a problem for C4. With the inexorable rise of non-linear outlets such as You Tube and Tik Tok, linear TV viewing has dropped across all age groups, but has fallen 23% year-on-year among 16 to 24-year-olds, who now watch a third less than they did in 2010, preferring instead to watch online.

if there is good reason for keeping the channel as public-service broadcasting it has to be Channel Four News, which retains a sense of independence of the Tory/Blue Labour establishment which effectively calls the tune for the  BBC’s Newsnight. C4News still has moments to savour: like when anchor Krishnan Guru-Murthy had a hot mic moment after a “robust” interview with Northern Ireland minister, Steve Baker. Thinking he was off-air Guru-Murthy quipped to a colleague, “What a cunt.” Guru-Murthy apologised for this lapse in professional conduct (if not accurate judgement) and got the very light sentence from the C4 bosses of a week’s banishment. The BBC would likely have sacked him.

(This article first appeared on SUBSTACK https://blackd.substack.com SUBSCRIPTION IS FREE)

‘Humorous courage’ and ‘fearful realism’ – George Orwell on Jack Hilton

By David Black

9 August 2022

Rochdale’s Jack Hilton (1900-83) was hailed in the 1930s as a great novelist by George Orwell and WH Auden, but died modestly and unacclaimed. For 80 years his novels have been virtually impossible to get hold of after they went out of print, the ownership of the publishing rights being unknown. Now, Hilton’s works are getting back into print, thanks to the literary detective work of Jack Chadwick, a 28-year-old bartender and aspiring writer who discovered Caliban Shrieks while visiting Salford’s Working Class Movement Library last year.

Caliban Shrieks has this unique quality that I hadn’t come across before and I found it so compelling,” Chadwick told the Independent.

“It’s so raw, it feels like it’s coming to you from across the pub table.”

As BPC couldn’t find George Orwell’s review of Caliban Shrieks online, we did a paper-search and transcribed it.

Adelphi magazine, March 1935.

Caliban Shrieks by Jack Hilton

Reviewed by George Orwell

This witty and unusual book may be described as an autobiography without narrative. Mr Hilton lets us know, briefly and in passing, that he is a cotton operative who has been in and out of work for years past, that he served in France during the latter part of the war, and that he has also been on the road, been in prison, etc etc; but he wastes little time in explanations and none in description. In effect his book is a series of comments on life as it appears when one’s income is two pounds a week or less. Here, for instance, is Mr Hilton’s account of his own marriage:

Despite the obvious recognition of marriage’s disabilities, the bally thing took place. With it came, not the entrancing mysteries of the bedroom, nor the passionate soul-stirring of two sugar-candied Darby and Joans, but the practised resolve that, come what may, be the furnishers’ dues met or no, the rent paid or spent, we – the wife and I – would commemorate our marriage by having, every Sunday morn, ham and eggs, So it was we got one over on the poet, with his madness of love, the little dove birds, etc.

There are obvious disadvantages in this manner of writing — in particular, it assumes a width of experience which many readers would not possess. On the other hand, the book has a quality which the objective, descriptive kind of book almost invariably misses. It deals with its subject from the inside, and consequently it gives one, instead of a catalogue of facts relating to poverty, a vivid notion of what it feels like to be poor. All the time that one reads one seems to hear Mr Hilton’s voice, and what is more, one seems to hear the voices of the innumerable industrial workers whom he typifies. The humorous courage, the fearful realism and the utter imperviousness to middle-class ideals, which characterise the best type of industrial worker, are all implicit in Mr Hilton’s way of talking. This is one of those books that succeed in conveying a frame of mind, and that takes more doing than the’ mere telling of a story.

Books like this, which come from genuine workers and present a genuinely working-class outlook, are exceedingly rare and correspondingly important. They are the voices of a normally silent multitude. All over England, in every industrial town, there are men by scores of thousands whose attitude to life, if only they could express it, would be very much what Mr Hilton’s is. If all of them could get their thoughts on to paper they would change the whole consciousness of our race. Some of them try to do so, of course; but in almost every case, inevitably, what a mess they make of it! I knew a tramp once who was writing his autobiography. He was quite young, but he had had a most interesting life which included, among other things, a jail-escape in America, and he could talk about it entrancingly. But as soon as he took a pen in his hand he became not only boring beyond measure but utterly unintelligible. His prose style was modelled upon Peg’s Paper (“With a wild cry I sank in a stricken heap” etc), and his ineptitude with words was so great that after wading through two pages of laboured description you could not even be certain what he was attempting to describe. Looking back upon that autobiography and number of similar documents that I have seen, I realise what a considerable literary gift must have gone into the making of Mr Hilton’s book.

As to the sociological information that Mr Hilton provides, I have only one fault to find. He has evidently not been in the Casual Ward since the years just after the war, and he seems to have been taken in by the lie, widely published during the last few years, to the effect that casual paupers are now given a “warm meal” at midday. I could a tale unfold about those “warm meals”. Otherwise, all his facts are entirely accurate so far as I am able to judge, and his remarks on prison life, delivered with an extraordinary absence of malice, are some of the most interesting that I have read.

 

 

HL Mencken – Words As Weapons

“As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart’s desire at last, and the White House will be adorned by a downright moron.”

H.L. Mencken, The Baltimore Evening Sun, July 26, 1920

“That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? I pictured the man as a raging demon, slashing with his pen, consumed with hate, denouncing everything American, extolling everything European or German, laughing at the weaknesses of people, mocking God, authority. What was this? I stood up, trying to realize what reality lay behind the meaning of the words. . . . Yes this man was fighting, fighting with words. He was using words as a weapon, using them as one would use a club. I read on and what amazed me was not what he said, but how on earth anybody had the courage to say it.”

Richard Wright, Black Boy, The Richard Wright Reader, (New York: Harper &Row, 1978), p. 17.

CBS broadcast – Radio Biography 1956